Keeping a blog this semester has helped me in many ways become more flexible in my thinking and my writing process. I have enjoyed sitting down to write with only a vague idea in my head of what I wanted to say, and then my thoughts and words interacting to create whole new thoughts. This blog allowed that to happen.
Our class syllabus points out the 6 student learning outcomes for this course, and I believe this blog as helped me meet all of them. The first outcome deals with knowledge of the genres. This blog allowed me to better meet that outcome because of the space it allowed for reflection on the genres we have read about in Tompkins (2012) and discussed and presented in class. It also provided me with a digital format to write, which further enhanced my learning of formats and how we adapt and use our writing in different ways.
The second outcome deals with audience and purpose and author's craft. Again, having the space to reflect on these ideas was great, but because the blog is public, it helped me realize how important audience is when writing. Each week's entry was usually up to us, even when we had a prompt, it was guiding us, not inhibiting us, so I feel that I alos was able to see first hand how when we have purpose we are more at to write something we believe.
Going along with the third outcome, in this blog I was able to test out certain theories and beliefs concerning reading and writing. At the beginning of the course I was much more set in my ways, but throughout the course, reading the texts and participating in lectures, I was able to develop much more flexibility in my thinking and openness for digital formats.
I remember on the first day of this class, as we sat in room 38 (I think) brainstorming the writing process, and then the reading process and seeing all the similarities. Outcome four deals with this relationship. The only thing I can really say about how this blog has helped me meet this outcome is when I write, much like when I read, I participate in the same patterns, I move in spurts, and then pause to clarify and repair, and then move on.
The fifth outcome deals with metacognition and its role in writing proficiency and reading comprehension. This blog has helped me meet that outcome by thinking through my writing, thinking about my writing, and allowing my current thinking to shape my writing and new thoughts. Much like I discuss in reference to outcome four and in the introduction, metacognition plays a large role in my writing and my understanding while reading. I am constantly thinking about my thoughts and why i feel or believe a certain way, and this blog aloows for this because it is so immediate, we can think through our writing.
I do not feel I really addressed the issues presented in outcome six in my blog. That is not say I did not develop in ways that allows me to meet this outcome, just not in my blog. It did allow me to assess my own learning I suppose, and therefore I could use it as a self-assessment. Also, it could be used by you Dr. Jones to assess our learning from the course. it did allow me the space to experiment with the topics and themes in the texts we read and therefore we could be evaluated on how we used certain strategies while reading to extract information and write about it.
Overall, this blog has allowed my thinking to grow in ways that could not have happened without it. It gave me a space and freedom to write and think simultaneously. I would love to keep this blog going, if I do i would probably continue with the same types of topics, and also use it to work though dilemmas in my own teaching nad classroom.
Wednesday, November 20, 2013
Sunday, November 17, 2013
Entry 11: Bless, Press, Address
After reading through my classmates entries I chose Jeff's entry 7 to address. In this entry Jeff is discussing the poetry genre and goes into detail about he he used to view poetry, and how he views it now after Tracey's presentation and reading the chapter in Tompkins (2012). I chose this entry to address because I feel the poetry genre is one that both captivates and eludes me as far as teaching it goes.
There is the teaching of poets and poems and styles, and then the teaching of crafting poems, I feel it so expansive and overwhelming! Tompkins (2012) and Tracey did a very nice job of narrowing it and making the genre approachable for those of us who feel overwhelmed with it. Tompkins breaks her chapter down into manageble types of poems and includes examples and notes on each. Tracey featured several of these in her presentation and now I feel more comfortable approaching teaching poetry by focusing on one type of poem and mini-lesson to assist students with poetic devices or craft.
The part of Jeff's blog that really intrigued me to write this post is:
"I look back and think about the writing possibilities poetry offers. Poets are able to capture the world in unique ways and perspectives. they create images other people might not be able to create. Students can take these ideas, make them their own and build confidence as a writer/poet. As a teacher, I can then harness the motivation and confidence poetry builds and scaffold it to narrative writing or descriptive or expository writing."
Jeff's quote above stood out to me a few reasons, one: it reminded me of why I love reading poetry. The way words can be used to describe and create whole new thoughts and worlds is unique to this genre and is incredible. Two: I like how he implies that playing with words and creating their own poems will motivate and enhance confidence in students, and three: he touches on what we all agreed on during Tracey's presentation, that poetry can be used as a gateway to other genres.
I think using poems is a great way to scaffold writing into other genres and topics. Poems allow the student to get at the creative aspect of a topic and inspire curiosity about a topic, and then they can take that curiosity and run with it into creating a non-fiction book about their particular topic. Let's use the manatee poem that Dr. Jones read during Tracey's presentation as an example. After studying manatees students could create a poem about them, or the poem itself could be a gateway into studying them. Then the student could learn more about manatees and add that information to what they learned about the poem and create an expository text about manatees.
The poetry genre still continues to intimidate me, however I feel more comfortable than before and I see a whole new way to integrate it into the curriculum.
There is the teaching of poets and poems and styles, and then the teaching of crafting poems, I feel it so expansive and overwhelming! Tompkins (2012) and Tracey did a very nice job of narrowing it and making the genre approachable for those of us who feel overwhelmed with it. Tompkins breaks her chapter down into manageble types of poems and includes examples and notes on each. Tracey featured several of these in her presentation and now I feel more comfortable approaching teaching poetry by focusing on one type of poem and mini-lesson to assist students with poetic devices or craft.
The part of Jeff's blog that really intrigued me to write this post is:
"I look back and think about the writing possibilities poetry offers. Poets are able to capture the world in unique ways and perspectives. they create images other people might not be able to create. Students can take these ideas, make them their own and build confidence as a writer/poet. As a teacher, I can then harness the motivation and confidence poetry builds and scaffold it to narrative writing or descriptive or expository writing."
Jeff's quote above stood out to me a few reasons, one: it reminded me of why I love reading poetry. The way words can be used to describe and create whole new thoughts and worlds is unique to this genre and is incredible. Two: I like how he implies that playing with words and creating their own poems will motivate and enhance confidence in students, and three: he touches on what we all agreed on during Tracey's presentation, that poetry can be used as a gateway to other genres.
I think using poems is a great way to scaffold writing into other genres and topics. Poems allow the student to get at the creative aspect of a topic and inspire curiosity about a topic, and then they can take that curiosity and run with it into creating a non-fiction book about their particular topic. Let's use the manatee poem that Dr. Jones read during Tracey's presentation as an example. After studying manatees students could create a poem about them, or the poem itself could be a gateway into studying them. Then the student could learn more about manatees and add that information to what they learned about the poem and create an expository text about manatees.
The poetry genre still continues to intimidate me, however I feel more comfortable than before and I see a whole new way to integrate it into the curriculum.
Saturday, November 9, 2013
Entry 10: Reflecting on the Genres we have Explored
I really enjoyed presenting and participating in the genre expert projects. I feel I have learned a lot by studying my own genre, and by participating and interacting with the others. We've been exposed to the journal genre, poetry, the biography genre, the persuasive genre, and the expository genre. I can not say I was 100% comfortable with any of these.
Before this class, the genres I felt most comfortable with (that we explored) were poetry and biography. Now, after the presentations I almost feel more overwhelmed by these two genres, but not in a bad way! I felt I had a good grasp on these two, but was then exposed to so much more taht i did not know about: activities, strategies, and mentor texts. I also witnessed just how expansive the genres are, so now I feel there is much more to have to grapple with as far as they are concerned. I do feel more equippped to deal with certain aspects of these genres, Presenting and participating in the presentations opened my eyes to more.
As far as journals, expository, and persuasive, I feel I have a foothold now. Those (especially expository and persuasive) have always intimidated me, but after reading Topmkins (2012) and participating in the presentations, I feel more comfortable.
What I learned from the journal presentation is the idea of a double entry journal. Typically when I thought of journals, I thought of narrative and fiction. These double entry journals reminds me a learning log, and allows the student to make connections with the text and make those connections visibly on an organized template. I also like the simulated journals. I think this is such a great way to get our students thinking in new ways. By putting themselves in someone else's shoes, they can see diffrent perspectives and develop empathy. And of course, all the great mentor texts we were able to browse through and get acquainted with!
The expository genre opened my eyes to the different text structures. I knew some of these, but not to the extent I do now. I was most comfortable as a reader of this genre, I still feel uncomfortable as a writer or even a teacher of writing in this genre. That is probably due my exposure to the genre, I am not frequently asked to write in this genre.
The persuasive genre I realized depends on audience more than all others we looked at. This is because when we are trying to persuade someone it will only work if we can appeal to and reach our audience, otherwise it will be futile to try to persuade. I also really liked, and will always remember the Harry, Ron, and Hermione trio to symbolize ethos, pathos, and logos. I think this genre is probably the most important to focus on for me, because this type of writing matches what I must focus on with my students: evidence based claims. The graphic organziers included in the packet handed out are extremely useful too as is the argument, persuasion, or propaganda chart.
For all of these genres, I learned strategies and tools to use with students to help them become better readers and writers of these genres as well as a plethora of great mentor texts to use to model and teach these genres.
Before this class, the genres I felt most comfortable with (that we explored) were poetry and biography. Now, after the presentations I almost feel more overwhelmed by these two genres, but not in a bad way! I felt I had a good grasp on these two, but was then exposed to so much more taht i did not know about: activities, strategies, and mentor texts. I also witnessed just how expansive the genres are, so now I feel there is much more to have to grapple with as far as they are concerned. I do feel more equippped to deal with certain aspects of these genres, Presenting and participating in the presentations opened my eyes to more.
As far as journals, expository, and persuasive, I feel I have a foothold now. Those (especially expository and persuasive) have always intimidated me, but after reading Topmkins (2012) and participating in the presentations, I feel more comfortable.
What I learned from the journal presentation is the idea of a double entry journal. Typically when I thought of journals, I thought of narrative and fiction. These double entry journals reminds me a learning log, and allows the student to make connections with the text and make those connections visibly on an organized template. I also like the simulated journals. I think this is such a great way to get our students thinking in new ways. By putting themselves in someone else's shoes, they can see diffrent perspectives and develop empathy. And of course, all the great mentor texts we were able to browse through and get acquainted with!
The expository genre opened my eyes to the different text structures. I knew some of these, but not to the extent I do now. I was most comfortable as a reader of this genre, I still feel uncomfortable as a writer or even a teacher of writing in this genre. That is probably due my exposure to the genre, I am not frequently asked to write in this genre.
The persuasive genre I realized depends on audience more than all others we looked at. This is because when we are trying to persuade someone it will only work if we can appeal to and reach our audience, otherwise it will be futile to try to persuade. I also really liked, and will always remember the Harry, Ron, and Hermione trio to symbolize ethos, pathos, and logos. I think this genre is probably the most important to focus on for me, because this type of writing matches what I must focus on with my students: evidence based claims. The graphic organziers included in the packet handed out are extremely useful too as is the argument, persuasion, or propaganda chart.
For all of these genres, I learned strategies and tools to use with students to help them become better readers and writers of these genres as well as a plethora of great mentor texts to use to model and teach these genres.
Saturday, November 2, 2013
Entry #9: Technology in classrooms...
For my open entry I would like to spend some time thinking about using digital texts in the classroom. I've mentioned before in a previous entry that I feel a slight dilemma when it comes to teaching students to craft digital texts versus traditional ones, but I have come to the realization that it is more of a disservice to not allow or teach these.
There are a few problems that I need to work through before I am able to integrate these types of meaningful assignments into my teaching. First, there is the obvious problem of lacking the technology. In my school, there is one computer lab, this lab houses the technology class and the computer applications class, leaving zero periods open when I teach. The only other option is checking to see if All City, the other school in Marshall would allow us to use their lab, but again, availability may not work out even if they would allow it. Looks like I will have to appeal to my administrators like we did in our mock digital presentation!
Another issue I would have to work through is learning enough about digital texts so I can guide my students. After reading Hicks (2013) and his chapters on crafting digital presentations, audio texts, videos, and social media, I realized I have a lot to learn! Especially after reading the last two chapters, 6 and 7, I feel under pressure to be able to undertsand and give my students the opportunity to create in these forms. I feel like this can be the key to unlocking engagement and motivation, and deepening their content knowledge.
I do not know enough about the programs and software needed for many of these types of assignments, but luckily Hicks (2013) does provide a wide range of resources and tips. I think the first step is playing around.
The next issue I would face would be when to use such a project and set guidelines and a timetable for it. How do I determine when a traditional assignment would be a better assessment and product to display new knowledge, than a digital text? How do I ensure purpose and audience? How do match thoughtful intelligent instruction without getting too caught up in the technical aspect?
I know that my students would be engaged, but would they be able to maintain focus on content while playing with the technology? Hicks (2013) provides many methods for assessments, and what I like about his methods is that they involve student reflection, peer feedback, annotations and comments, basically they involve writing, so my original fear that traditional writing would be far too absent from the class is uncalled for. Hicks also stresses to have students start out by planning the video or digital text without even coming close to a computer. I think this would be an appropriate balance, planning on paper, creating with the technology, then reflecting on paper, and so on. A recursive process.
Two more problems I would have to address before I approached teaching these types of texts are teaching how to be critical readers on the interent and citing their sources. I know these can be broken down to explicit mini-lessons, but they seem like time-consuming and difficult lessons to capture in a mini-lesson.
One things for certain, I need to figure out a way to give the opportunity to my students to create digital texts, I know they would amaze me with their abilities.
There are a few problems that I need to work through before I am able to integrate these types of meaningful assignments into my teaching. First, there is the obvious problem of lacking the technology. In my school, there is one computer lab, this lab houses the technology class and the computer applications class, leaving zero periods open when I teach. The only other option is checking to see if All City, the other school in Marshall would allow us to use their lab, but again, availability may not work out even if they would allow it. Looks like I will have to appeal to my administrators like we did in our mock digital presentation!
Another issue I would have to work through is learning enough about digital texts so I can guide my students. After reading Hicks (2013) and his chapters on crafting digital presentations, audio texts, videos, and social media, I realized I have a lot to learn! Especially after reading the last two chapters, 6 and 7, I feel under pressure to be able to undertsand and give my students the opportunity to create in these forms. I feel like this can be the key to unlocking engagement and motivation, and deepening their content knowledge.
I do not know enough about the programs and software needed for many of these types of assignments, but luckily Hicks (2013) does provide a wide range of resources and tips. I think the first step is playing around.
The next issue I would face would be when to use such a project and set guidelines and a timetable for it. How do I determine when a traditional assignment would be a better assessment and product to display new knowledge, than a digital text? How do I ensure purpose and audience? How do match thoughtful intelligent instruction without getting too caught up in the technical aspect?
I know that my students would be engaged, but would they be able to maintain focus on content while playing with the technology? Hicks (2013) provides many methods for assessments, and what I like about his methods is that they involve student reflection, peer feedback, annotations and comments, basically they involve writing, so my original fear that traditional writing would be far too absent from the class is uncalled for. Hicks also stresses to have students start out by planning the video or digital text without even coming close to a computer. I think this would be an appropriate balance, planning on paper, creating with the technology, then reflecting on paper, and so on. A recursive process.
Two more problems I would have to address before I approached teaching these types of texts are teaching how to be critical readers on the interent and citing their sources. I know these can be broken down to explicit mini-lessons, but they seem like time-consuming and difficult lessons to capture in a mini-lesson.
One things for certain, I need to figure out a way to give the opportunity to my students to create digital texts, I know they would amaze me with their abilities.
Tuesday, October 22, 2013
Entry 8: Bless, Address, Press
After reading through my peers blogs, I have chose a section of Jeff's entry five blog to bless. I chose this section because I feel it is a very true and relevant issue faced by many teachers, especially novice teachers like us. Jeff was writing about how he intends to spend more time teaching the writing process in his future classes, and reflecting on his past teaching experiences with the writing process. The part that really stuck out to me was this:Tompkins (2012) says that "the writing process is a way for looking at what writers think and do as they write" (p. 4). In this sense, I did not allow students to see and hear what a writer should be doing because I provided them the tools without teaching them how to develop them on their own. This stood out to me because I could see his honest reflection, and I understood all too well what he meant. If we use this analogy of "tools" and apply it to a growing civilization, we can see that giving the tools will not suffice, we want to teach them how to make their own tools. This also reminds me of a proverb that I cannot remember completely. but it says something along the lines of "give a man a fish and he will eat for a day, teach him how to fish and he will never go hungry."
I am impressed that Jeff noticed and acknowledged this, and this helped me see that when I am not allowing my students to fend for themselves in certain situations, or when I jump in to save them before they even have the chance to see if they can make it on their own, I am doing them a diservice.
I do know that students (this is especially true for my students) are fearful of writing. They shy away from it if they do not have some sort of crutch. So for me, I would want to ask myself, what tools could I give them that would give them just the right amount of support, without giving them everything?
I used to model essays, and have students write as I wrote, but I found they were blindly copying, even though I was modeling my thinking as well. So now I try to make them more active when I first model. I come up with the topic sentence and then it is their job to help me find evidence, then I will interpret the evidence. Another "small" tool that works for my students is a sentence starter. This works well because often what my students fret about the most is they don't know how to start.
Going back directly to the writing process, I have never truly integrated a writer's workshop in my class (although I'd like to), but I feel that would be the ideal place to let students roam free to explore the process. As long as the environment is set up so all feel comfortable and safe, then they could easliy rely on peers for advice and experience the joy of sustained free-writing, which would build their confidence and their own tools.
I am impressed that Jeff noticed and acknowledged this, and this helped me see that when I am not allowing my students to fend for themselves in certain situations, or when I jump in to save them before they even have the chance to see if they can make it on their own, I am doing them a diservice.
I do know that students (this is especially true for my students) are fearful of writing. They shy away from it if they do not have some sort of crutch. So for me, I would want to ask myself, what tools could I give them that would give them just the right amount of support, without giving them everything?
I used to model essays, and have students write as I wrote, but I found they were blindly copying, even though I was modeling my thinking as well. So now I try to make them more active when I first model. I come up with the topic sentence and then it is their job to help me find evidence, then I will interpret the evidence. Another "small" tool that works for my students is a sentence starter. This works well because often what my students fret about the most is they don't know how to start.
Going back directly to the writing process, I have never truly integrated a writer's workshop in my class (although I'd like to), but I feel that would be the ideal place to let students roam free to explore the process. As long as the environment is set up so all feel comfortable and safe, then they could easliy rely on peers for advice and experience the joy of sustained free-writing, which would build their confidence and their own tools.
Wednesday, October 16, 2013
Entry 7: How I could imagine integrating biographies into my unit
Currently my students are reading the novel A Long Walk to Water. I read this book in under three days and absolutely loved it, I couldn't wait to start teaching it. Then I started teaching it, and I am seeing the book through my students' eyes instead of my own and I am thinking, man is this boring! (well not exactly, but I find myself understanding how they can find it boring) Now, this must speak to my teaching....I mean, there are endless strategies and activities I could do to engage my students right? Well, I guess that #1. I do not take advantage of all the tools that I have under my belt. I have learned or been given, or shown so many really neat and useful ideas and activities, but how come they never show up in my teaching? I seem to stick to the same old same old. Ok, #2. I DO try to mix things up and try new things sometimes but even those the kids roll their eyes at or ask in that tone where you know they are really saying "We have to do what?" So I don't know, no matter what I do, the kids will roll their eyes at it...
But anyway, I am getting off-track. In this unit, I wanted to teach relevant non-fiction and current events along with the text. I wanted to teach my students empathy. I wanted to light a spark in them where they have a desire to read, write, and seek out knowledge about the world around them. Sadly, that is not happening. One thing i would like to try, or at least test out the idea here, safely in my blog, is integrating biographies into this unit. So....How would I do this?
First, I think I would want to start with having my students write personal narratives. Tompkins (2012) says that personal narratives are usually taught first and can be used with younger students because they are writing about a subject they know well: themselves. Now, my students have already read two perosnal narratives when we were learning about the immigrant experience, so I think that would be a good place to start.
Let's say I introduce this assignment in light of our unit, I would say to my kids that their personal narrative needs to focus on (a) a time when they witnessed an inequity and how they felt (b) a time when they caused someone else feel less than or not worthy and how they felt or (c) a time when they did something positive that led to making others happy. I would let them pre-write and draft, and then teach a mini-lesson on descriptive writing, using a mentor text, and then let them write more and revise.
After this personal narrative I would bring in biographies. I would do a gallery walk of prominent, and some not so prominent civil rights leaders, women's rights leaders, modern day "heroes", and others who have fought/still fight for equality and peace, or just people (like Salva, our main character from A Long Walk to Water) who want to make the world a better place one step at a time. In the gallery walk, I will have a quick bio on each individual, just enough to get the kids interested. Then they will do some research and select the individual they would like to research. I would love for them to create a multi-genre biography for their person.
I would then have to set criteria for them for researching their individual. I wouls also have to teach some of the genres so they could feel free to choose the three they would like to use. I know this just unfolded right in front of me as I typed, but I really want to do this!! I think my students would love this, and really learn a lot about the person they choose, and feel connected to them, and maybe this is my way in to building that emapthy. If they can side with their individual, they are likely to adopt the cause the individual fought for as well! :) I am goint o try this, I will keep you updated!
But anyway, I am getting off-track. In this unit, I wanted to teach relevant non-fiction and current events along with the text. I wanted to teach my students empathy. I wanted to light a spark in them where they have a desire to read, write, and seek out knowledge about the world around them. Sadly, that is not happening. One thing i would like to try, or at least test out the idea here, safely in my blog, is integrating biographies into this unit. So....How would I do this?
First, I think I would want to start with having my students write personal narratives. Tompkins (2012) says that personal narratives are usually taught first and can be used with younger students because they are writing about a subject they know well: themselves. Now, my students have already read two perosnal narratives when we were learning about the immigrant experience, so I think that would be a good place to start.
Let's say I introduce this assignment in light of our unit, I would say to my kids that their personal narrative needs to focus on (a) a time when they witnessed an inequity and how they felt (b) a time when they caused someone else feel less than or not worthy and how they felt or (c) a time when they did something positive that led to making others happy. I would let them pre-write and draft, and then teach a mini-lesson on descriptive writing, using a mentor text, and then let them write more and revise.
After this personal narrative I would bring in biographies. I would do a gallery walk of prominent, and some not so prominent civil rights leaders, women's rights leaders, modern day "heroes", and others who have fought/still fight for equality and peace, or just people (like Salva, our main character from A Long Walk to Water) who want to make the world a better place one step at a time. In the gallery walk, I will have a quick bio on each individual, just enough to get the kids interested. Then they will do some research and select the individual they would like to research. I would love for them to create a multi-genre biography for their person.
I would then have to set criteria for them for researching their individual. I wouls also have to teach some of the genres so they could feel free to choose the three they would like to use. I know this just unfolded right in front of me as I typed, but I really want to do this!! I think my students would love this, and really learn a lot about the person they choose, and feel connected to them, and maybe this is my way in to building that emapthy. If they can side with their individual, they are likely to adopt the cause the individual fought for as well! :) I am goint o try this, I will keep you updated!
Tuesday, October 8, 2013
Entry 6--Feedback
So far this class is going just fine. I was surprised on the first day to only see two other students besides myself, but I think the smaller number works to all of our advantage. I feel like we all get to share our ideas and questions and be heard, and receive feedback and know that it's genuine. The small class size leads to a warmer feeling in the class.
I also think the way the class is set-up is important to address. The writer's workshop the last 40 minutes of class is beneficial because it gives us time right after class to write/read/brainstorm/prewrite for our projects.
As far as habits of mind, I feel I have grown in all areas, but mostly creativity and openness. This is because of the emphasis on Hicks (2013) and digital texts. Before this class I did not know any other format for digital texts other than Powerpoint. I also now have a much greater understanding of the writer's role in constructing a text, intsead of just the the writer's task. Looking at genres, audiences, and the writer's situation helped me understand how important it is to consider factors beyond the 6 traits of good writing.
What I have learned so far that will be useful for me as a teacher of literacy is the use of the writing wheel while doing writing, much of what Tompkins (2012) and Hicks (2013) discuss in their chapters on author's craft/writer's craft, and the idea of multi-genre assignments.
One thing I wish we focused on more is teaching traditional writing. I would like some help with this. I know with all this new technology and how "cyber"-friendly students are it can be very beneficial to teach to this, but I get worried that students are losing the abilty to produce traditional texts, and I want the tools to be able to help them.
Those are my thoughts so far...:)
I also think the way the class is set-up is important to address. The writer's workshop the last 40 minutes of class is beneficial because it gives us time right after class to write/read/brainstorm/prewrite for our projects.
As far as habits of mind, I feel I have grown in all areas, but mostly creativity and openness. This is because of the emphasis on Hicks (2013) and digital texts. Before this class I did not know any other format for digital texts other than Powerpoint. I also now have a much greater understanding of the writer's role in constructing a text, intsead of just the the writer's task. Looking at genres, audiences, and the writer's situation helped me understand how important it is to consider factors beyond the 6 traits of good writing.
What I have learned so far that will be useful for me as a teacher of literacy is the use of the writing wheel while doing writing, much of what Tompkins (2012) and Hicks (2013) discuss in their chapters on author's craft/writer's craft, and the idea of multi-genre assignments.
One thing I wish we focused on more is teaching traditional writing. I would like some help with this. I know with all this new technology and how "cyber"-friendly students are it can be very beneficial to teach to this, but I get worried that students are losing the abilty to produce traditional texts, and I want the tools to be able to help them.
Those are my thoughts so far...:)
Entry 5: My instructional dilemma
My problem is...well, there are many, but for this purpose, my problem is my kids do not know how to write and I do not know how to teach them. I really don't. Each year I struggle with this same problem, but this year it seems to be the worst. I love the new ideas I am learning as far as digital writing goes, but what do I do if my kids cannot write? Will showing them/ leading them through how to put together a "sticky" PowerPoint presentation help them when they can barely contruct three sentences together? Not to mention maintaing conventions and spelling.
So, I guess my dilemma boils down to this: I have always felt that kids need a strong foundational knowledge and understanding before they jump in to the next step (I feel like I just stumbled upon my answer, but I will continue anyway). So, before we can get to creative digital wriitng they should be able to produce traditional essays and texts... right?The reason for my thinking is that once they move forward, will they be able to move back? Will what they learn by constructing digital texts transfer back to traditional writing?
I know that this same type of dilemma is present in many primary classes when it comes to emergent readers. Should emerging readers be exposed to texts that are knowingly too difficult for them? Just because a kid cannot read does that mean we will withhold giving the child a book to look at or to have read to him?
Ok, so I already have answered my own question. But what about the foundational skills? I still must teach these! How do I teach struggling writers?
Maybe, if I were to start with a Glogster presentation, or even a PowerPoint and introduce the assignment and all criteria, then have them write a proposal for how they will organzie, design, and craft and why they choose to do it that way. That will then promote a more metacognitive approach, having them become aware of their audience and reasons for design, along with allowing me to see how they understand the content.
So, I guess my dilemma boils down to this: I have always felt that kids need a strong foundational knowledge and understanding before they jump in to the next step (I feel like I just stumbled upon my answer, but I will continue anyway). So, before we can get to creative digital wriitng they should be able to produce traditional essays and texts... right?The reason for my thinking is that once they move forward, will they be able to move back? Will what they learn by constructing digital texts transfer back to traditional writing?
I know that this same type of dilemma is present in many primary classes when it comes to emergent readers. Should emerging readers be exposed to texts that are knowingly too difficult for them? Just because a kid cannot read does that mean we will withhold giving the child a book to look at or to have read to him?
Ok, so I already have answered my own question. But what about the foundational skills? I still must teach these! How do I teach struggling writers?
Maybe, if I were to start with a Glogster presentation, or even a PowerPoint and introduce the assignment and all criteria, then have them write a proposal for how they will organzie, design, and craft and why they choose to do it that way. That will then promote a more metacognitive approach, having them become aware of their audience and reasons for design, along with allowing me to see how they understand the content.
Entry 4: Wrting as medium for learning to think
I used to do more writing. I used to write for a creative outlet, to explore concepts, to evaluate and examine ideas, and to work though my own thoughts and ideas. Much of this was back when I was an undergrad and did not work. For the past two years, I do not give myslef enough time to think through writing. The most I will do is sketch out a lesson for my students through writing, and allow my ideas to grow and change. Not giving myself or rather not creating/finding the time for thinking through writing is probably inimical (I am trying out a vocabulary word learned in LTED 625) to myself in the long run.
I say this because the past several classes when we have been asked to do some writing for the last 40 minutes of class, no matter what mood I am in, transforms my mood and though process. The first one we did, the guided free-write where we chose a topic or prompt, I chose "a place I know well" and wrote about my grandparent's old house. That was so amazing, as I wrote I was remembering things forgotten years ago. It definitely took me somewhere else, and I was no longer letting my thoughts control my writing, the writing strating to inform my thought, it was great! I left class in an almost euphoric mood, and nostalgic for my grandma!
I swore after that class I would make time to write more often, but the only time I have really done that since, is in class when we wrote for our genre pieces project. Another time I enjoyed immensly and where the reciprocal nature of writing and thinking played out.
I've said before, I like the 8 habits of mind because of what they look like in action ( I will explain). I have always been very curious about the world around me, so I feel curiosity is essential to almost any task. Within everything, there is a purpose, a reason, so being curious about things shoul come naturally. Openess is another must for this type of assignment because if we stay rigid and fixed to only one way of thinking we will never learn or grow, or even be able to affirm our own points and reasons. Engagement is definitley another must, and this goes along with curiosity to me. Usually engagement follows curiosity, and hopefully we are all engaged because our hearts and passions are doing this for a reason. Responsibility is important for this assignment because we are responsible for completing each entry in a timely fashion (which I have failed to do the past week!!!) So, I must be flexible and adapt to the situation and write my entries on this beautiful Tuesday afternoon/evening :) The final habit of mind that I feel is probably the most important for this assignment is metacognition. I say this because the blog is meant to be a place where we can reflect on our learning and thoughts, and contruct new meaning and learning through reflecting. So if I really want to fully feel the benefits from this assignment, I need to ensure I am being metacognitive.
I say this because the past several classes when we have been asked to do some writing for the last 40 minutes of class, no matter what mood I am in, transforms my mood and though process. The first one we did, the guided free-write where we chose a topic or prompt, I chose "a place I know well" and wrote about my grandparent's old house. That was so amazing, as I wrote I was remembering things forgotten years ago. It definitely took me somewhere else, and I was no longer letting my thoughts control my writing, the writing strating to inform my thought, it was great! I left class in an almost euphoric mood, and nostalgic for my grandma!
I swore after that class I would make time to write more often, but the only time I have really done that since, is in class when we wrote for our genre pieces project. Another time I enjoyed immensly and where the reciprocal nature of writing and thinking played out.
I've said before, I like the 8 habits of mind because of what they look like in action ( I will explain). I have always been very curious about the world around me, so I feel curiosity is essential to almost any task. Within everything, there is a purpose, a reason, so being curious about things shoul come naturally. Openess is another must for this type of assignment because if we stay rigid and fixed to only one way of thinking we will never learn or grow, or even be able to affirm our own points and reasons. Engagement is definitley another must, and this goes along with curiosity to me. Usually engagement follows curiosity, and hopefully we are all engaged because our hearts and passions are doing this for a reason. Responsibility is important for this assignment because we are responsible for completing each entry in a timely fashion (which I have failed to do the past week!!!) So, I must be flexible and adapt to the situation and write my entries on this beautiful Tuesday afternoon/evening :) The final habit of mind that I feel is probably the most important for this assignment is metacognition. I say this because the blog is meant to be a place where we can reflect on our learning and thoughts, and contruct new meaning and learning through reflecting. So if I really want to fully feel the benefits from this assignment, I need to ensure I am being metacognitive.
Wednesday, September 25, 2013
Entry 3
The readings this week were very beneficial to me as both a teacher and a student. I struggle when it comes to writing: teaching it and organizing my own, but primarily teaching it. I am not sure if it's just that I cannot find the time, but to teach the writing process seems VERY time consuming. I'm not saying it is not time well spent, but with the amount of things we teachers need to get accomplished, it is hard to justify fitting it into the schedule.
What I liked about the "Framework for Success in Postsecondary Writing" piece, was the habits of mind. I think these are very important to develop in our students. To develop these, it seems creative writing assignments about topics that appeal to students would be ideal. The genre pieces project we are doing for our class comes to mind. All of us in class demonstrated the habits of mind because we were engaged and curious, the rest followed because of that engagementand curiosity. When students are invested in something they have chosen, it helps make them feel responsible and own it. After opening students up to these habits of mind, and having success with certain writing assignments, I think they would be more likely to attempt and perservere through different types of writing that may not appear as "fun" and creative. They'd be able to practice that fexibilty and adapt to new situations, once they are comfortable with writing.
According to "Frameworks," it is all about giving our students multiple opportunities to practice, and exposing them to a variety of different texts. Like Tompkins use of mentor texts to teach students strategies, exposure to all types of books, genres, and writing is necessary to have students build that critical thinking and rhetorical knowledge. Students understanding of rhetorical knowledge will only come through exposure to all types of texts.
We still must act as that guide however, that link between the texts and our students. I just wish I knew exactly how to do this. Tompkins talks in her chapter 2 about how important modeling strategy is for students, and I have read this several times, but noone ever says "and this is how you do it..." I mean, sure she walks through the process, but I still am not able to explicitly teach my students any real strategies. I can do think alouds for them, but other than that...?
Since I do struggle with teaching writing, I would love to have some writing strategies under my belt that make sense to teach. I have 45 minute periods, and that time flies. The Card strategy sounds great in theory, but to implement with my group of students...seems impossible. Maybe I am just starting to vent, but the extensive modeling that goes in to these...I can just see and hear my students getting frustrated and bored already! :(
Any tips/suggestions are welcome,
Signed a despairing urban alternative program ELA teacher
What I liked about the "Framework for Success in Postsecondary Writing" piece, was the habits of mind. I think these are very important to develop in our students. To develop these, it seems creative writing assignments about topics that appeal to students would be ideal. The genre pieces project we are doing for our class comes to mind. All of us in class demonstrated the habits of mind because we were engaged and curious, the rest followed because of that engagementand curiosity. When students are invested in something they have chosen, it helps make them feel responsible and own it. After opening students up to these habits of mind, and having success with certain writing assignments, I think they would be more likely to attempt and perservere through different types of writing that may not appear as "fun" and creative. They'd be able to practice that fexibilty and adapt to new situations, once they are comfortable with writing.
According to "Frameworks," it is all about giving our students multiple opportunities to practice, and exposing them to a variety of different texts. Like Tompkins use of mentor texts to teach students strategies, exposure to all types of books, genres, and writing is necessary to have students build that critical thinking and rhetorical knowledge. Students understanding of rhetorical knowledge will only come through exposure to all types of texts.
We still must act as that guide however, that link between the texts and our students. I just wish I knew exactly how to do this. Tompkins talks in her chapter 2 about how important modeling strategy is for students, and I have read this several times, but noone ever says "and this is how you do it..." I mean, sure she walks through the process, but I still am not able to explicitly teach my students any real strategies. I can do think alouds for them, but other than that...?
Since I do struggle with teaching writing, I would love to have some writing strategies under my belt that make sense to teach. I have 45 minute periods, and that time flies. The Card strategy sounds great in theory, but to implement with my group of students...seems impossible. Maybe I am just starting to vent, but the extensive modeling that goes in to these...I can just see and hear my students getting frustrated and bored already! :(
Any tips/suggestions are welcome,
Signed a despairing urban alternative program ELA teacher
Sunday, September 15, 2013
Entry 2: Author's Craft
I love to read. Mostly I read novels: realistic fiction and historical fictiion are my top two favorite genres and I tend to read multiple books by the same author. Joyce Carole Oates is one of my favorites, and most recently I've been into New York Times Best-Sellers, introduced to me by my sister who told me I had to read Gonegirl by Gillian Flynn. I read it in a bout 22 hours. I then quickly read Flynn's other book Dark Places. Because of my love of reading and habit to read multiple books by the same author, I think I am adept at recognizing SOME aspects of author's craft when I am reading traditional texts. I would say ideas, organization, voice, word choice, and sentence fluency are among the elements of craft that Tomkins (2012) cites that I cannot help but notice and pay attention to as I read. I think this is because certain author's tend to use the same words in multiple books: the one that jumps to my mind right now is J.C. Oates, she uses "myopic" to describe many of her characters across books. The first time I came across this word I had to look it up, I knew it had something to do with glasses based on the context, but I wanted the exact meaning and I found it menat someone who was short sighted. After reading several of her books, I found her using the word often. Same goes with the word "gossamer," but I found this word to frequent among the genre of Horror. So, these are only examples of word choice, but it goes for the other elements too, if you are an avid reader, elements of craft seem to jump out at you.
As far as digital texts, I think I recognize the presentation aspect and media aspect of an author's craft beyond what I would notice in a traditional text. Certain websites and web-texts appeal to me more than others due to their layout, accessibility, color/font, and so on. Sometimes as I am reading something online I say to myself "why would they do it this way?" or "I like the way this is done," so I do think I recognize some aspects even among digital texts.
As far as writing, I probably struggle with organization the most. what's funny, is that my reading and writing are not similar. I read fiction, I write non-fiction: essays mostly, emails, rationales for unit plans, so I am much less skilled as a writer when it comes to author's craft than I am as a reader and recognizing it.
Ever since I read Hicks' (2013) and Tompkins's (2012) chapters on author's craft I have been contemplating how I will address it in my own classroom. I think much of craft comes in the pre-writing stage and revising stage, so I would begin by spending much more time teaching those and allowing students to make changes to affect voice/word choice/play with sentence structure/and different organizational patterns and structures. These are areas where in the past I never spent much time on, as far as revising, I would do a quick peer edit sheet, or I would edit it, but I never stressed making big chnages that would alter a pieces meaning and allow the student to see author's craft in action.
As far as digital texts, I think I recognize the presentation aspect and media aspect of an author's craft beyond what I would notice in a traditional text. Certain websites and web-texts appeal to me more than others due to their layout, accessibility, color/font, and so on. Sometimes as I am reading something online I say to myself "why would they do it this way?" or "I like the way this is done," so I do think I recognize some aspects even among digital texts.
As far as writing, I probably struggle with organization the most. what's funny, is that my reading and writing are not similar. I read fiction, I write non-fiction: essays mostly, emails, rationales for unit plans, so I am much less skilled as a writer when it comes to author's craft than I am as a reader and recognizing it.
Ever since I read Hicks' (2013) and Tompkins's (2012) chapters on author's craft I have been contemplating how I will address it in my own classroom. I think much of craft comes in the pre-writing stage and revising stage, so I would begin by spending much more time teaching those and allowing students to make changes to affect voice/word choice/play with sentence structure/and different organizational patterns and structures. These are areas where in the past I never spent much time on, as far as revising, I would do a quick peer edit sheet, or I would edit it, but I never stressed making big chnages that would alter a pieces meaning and allow the student to see author's craft in action.
Wednesday, September 4, 2013
First Entry
I value respect, kindness, and an interest for learning. I believe that students should focus on big ideas and less on what it means to be right or wrong. I do try to enact this in my teaching....in that we do a lot of higher order thinking questions and discussion. I like to get to know my students and have them share in the journey of learning as if it should be: a natural and fun experience led by their curiosity.
Though I have tried I do not think I have given my students enough time for real authentic reading and writing experiences. Last year I wanted a drop everything and read day on Fridays. I had students select books from the library (classroom and school). We started off with only ten minutes and I tried to build up their endurance. This worked really well with my 7th grade girls who loved to read and always came with books already. My 8th graders, it was a struggle. I think most importantly, they were low level and I did not put the right books in their hands. Towle (2003) writes about how important it is to pair students with books that are at their independent reading level. I failed to do that. Many had books way too high above their reading levels, but it seemed to be a pride thing. They would'nt budge even though they could not read the book! I wnated it to be an authentic experience that gave them free time to read and learn and discuss their books with others...but it never became that because my 8th graders fought me so hard on it I eventually ditched it. They used it as nap time, or yawn real loud time, or a variety of other almost distracting and irritating things.
As for writing....A lot of bellwork activities I would do with my students required them to think and then write about specific questions. Many of my "lower" students never would write a lot. Again, many of my 7th grade girls wrote more. Last year I did a few major essays with my students and 3 that stand out to me are the Freedom Writers essay, the Holocaust Essay, and the short story they had to write. For the first two, the essays, I did not start with free-writing....or even pre-writing.... for the first, they had to write their own thesis statement based on a mini-lessson we did and the themes of the movie we had discussed. Once they had their thesis statement we moved in to completing an outline with topic sentences and supporting details (CEI). Though they did (many) have fun with this essay, and some went beyond the simple formula and made it their own, I felt it was too rigid and did not allow for their own creativity because I was too interested in having them come up with an already organized and developed piece of writing. I could make and excuse and say I didn't have time for the 5 stage writing process....but truthfully, I just didn't really know to teach it. For the Holocaust essay, that was about the same, except they had to pull from a variety of non-fiction sources and compare them to Elie Wiesel's experience. We used a graphic organizer to start with and as we read the articles we took quotes to compare. Again, too formulaic. I think if the kids did have any genuine original ideas they got pushed aside for what we "wanted them" to conclude and write. Now! The short story, that's a different story.
We spent the last few weeks of school doing a short story unit, and after only having read two or three short stories I proposed the short story project to the kids. I had a character chart they could use to make their main character, and we also studied the parts of a story and plot, so they knew what they story had to contain. This was a small class, only 10 kids, two were very low level. Of the two, only one struggled. The other, i learned was an avid fiction writer and was so happy to be doing this project. One student, one of my best :) did research for his story and wrote and amazing one...the rest were in between, I think all had fun with it (thoroughly enjoyed it!) They found it challenging, and learned more about stories from it. BUT! I only had them do one draft (except for one kid who wrote super fast so I had time to conference). I met with each student where we would tweek certain sections as he/she wrote, but I do wish I had peer conferences and taught them about the revision stage. What I believe to be one of the most important stages. Many of my students believe once its written, it's good enough. Many feel the effort they put in was so great that they have done enough. And how can I blame them when I have never taught them otherwise? Besides some minor changing up, asking for clarification,,,,the most I do with my students writing is proof read for errors! :(
I think the main thing I read that can help me in teaching the writing process (which though I have not taught in all its stages, I do value and use in my own writing!) is the writing wheel, to focus on one aspect at a time and move fluidly through each stage and back....
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